Ode to Gus

Tuesday, April 25, 2006

Promises I Make to Myself

Be smarter. Be faster. Slow down. Eat healthier. Loosen up. Be nicer. Be meaner, brutally honest. Don’t let that bother you. Let this slide off your back. Be more creative. Be less pretentious, don't judge. See the bigger picture. Be more practical. Be more forgiving to yourself and others. Don’t be such a candy-ass, defend yourself. Mellow out. Exude a contagious energy. Don't waste hours on sleep. Get some sleep. Treat others as you would like to be treated. Always look out for number one. Don't react emotionally. Show more compassion, be more open. Show your anger. Be cool, boy (got a rocket in your pocket). Be a taker. Be a giver. Practice more. Rest more. Talk more. Talk less. Listen. State your opinion. Get drunk and have fun. Don’t get drunk; stay home and read instead. Open your arms to lost souls. Don’t be a lost soul. Don’t let helplessness fool you. Be helpless and vulnerable. Go longer. Stop now. Listen to more jazz. More blues. Less indie-rock and rap. Read the classics. Read Harry Potter and allow yourself to enjoy it. Allow yourself! Don't think too hard about what "allowing yourself” really means and whether or not it is really possible. Just do it. Don't do it. Don’t you dare do it. What are you doing just sitting there, do it! Make time for yourself. Don't worry. Be happy. Believe that everything happens for a reason. See beauty in everything. Don’t get caught up in clichés. Don’t waste time. Be lazy. Be intellectual. Be silly. Think fast but talk slowly. Talk fast but think slowly. Think about the future. Don’t get caught up in the past. Stay in the moment. Be spontaneous. Plan ahead, calculate. Don't think about the future. Say everything, unburden your soul. Choose your words carefully, filter your thoughts. Be a leader. Be a follower. Be independent. Be dependent. Crack jokes. Be serious. Be appropriate. Be inappropriate. Love life. See life as an existential void (ouch). Surround yourself with good people. Reach out to the ones who can't afford good people. Be one of the good people. Think about what it means to be “good people.” Let go. Grab on tight. Grip it till your knuckles are white. Believe in a Creator. Don’t get tricked into believing in a Creator. Love others. Don’t love others, you'll get ruined. Be childlike. Grow up. Rely on other people. Rely only on yourself. Learn more. Concentrate on the things you know. Give reasons. Don’t justify everything. Save your money. Spend everything. Need. Don’t be needy. Subscribe to a set of morals. Be fluid and situational with your beliefs. Give people less of a hard time. Hold others accountable. Go even farther. Don't hurt yourself. Listen to the advice of others. Don't be so eager to accept the advice of others. Be more sentimental. Don’t be so maudlin. More experiences. More knowledge. Less theory. More action. More of everything. Simplify. Write more, everyday. Write only when you're inspired. Be inspired. Don’t think too deeply into what it takes to be "inspired." Inspire others. Be dynamic. Be larger than life. Be hard. Be soft. Be approachable. Be humble. Boast and brag. Be consistent. Be confident. Have conviction. In short:

Be true to yourself?

"Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes).”-Walt Whitman

Wednesday, April 19, 2006

Ju-Hachi-Ban Revival

The only thing we can be certain will not change is that things will always change. Tides shift, new moons rise, and ju-hachi-bans rise from the fiery depths of karaokial volcanoes. Marking the reactivation of a two-month karaoke hiatus, the other night I found myself screaming into the mic once again at Karaoke All: a fine, classy establishment residing less than a minute walk from my apartment. Notes were belted, voices were scratched—I even discovered a curious red spot IN my eye the following morning (which has inadvertently opened the door to a world of lame “eye’m doing good” type jokes which I’ve been employing with Danegrfield-like intensity). But, most noteworthy, last night was the end of an era: I have retired “Welcome to the Jungle” as my ju-hachi-ban, and found what I feel is a solid replacement.

I started off the evening with an experiment in death metal, a verifiable shouting of System of a Down’s “Chop Suey,” nearly destroying my vocal chords in the process. The stance also required for death metal tunes—one foot forward, knees lightly bent, torso bent at a 45-degree angle from the waist, head banging—proved slightly taxing on my injured hamstring. I liked the energy of the song, but worry that after singing it another two times I would be rendered clinically dumb. To soften it up, I Doobie-Brothered it with “Black Water,” a friend getting soulful with me in that rather funky Dixielandish kind of way. But, it’s obvious that this song would not be so fun to sing alone, let alone doable as my voice lacks, as it were, goodness. For my next song, I threw in a little G’N’R of course, ‘cause you and I just need a little patience, but that’s another ditty that requires a fellow Axler. “Time After Time,” by Cindi Lauper was attempted as well. This is another duet, though, and can only be done with a female counterpart. In fact, I’m pretty sure the original version lacks the male voice that I imposed, and anyway, choosing a new ju-hachi-ban is a solo endeavor. The Rolling Stones’ “Miss You,” was a strong candidate, but its obscurity often prevents others from joining in (although I do love that part when Mick coos: “I been walking Central Park, singing after dark, people think I’m crraaazzzzyyy.” )

So what, you might ask, could satisfy this grave hunger inside of me, the hollow and existentially-void-of meaning feeling that is rampant in a ju-hachi-ban-less existence. It didn't take long to realize that the solution was within my very fingertips: Prince’s “Purple Rain.” For a long time PR was a solid pillar in the edifice of my Usuals repertoire. However, because I was so attached to WTTJ, I failed to reflect that being guided to The Purple Rain by his majesty would prove to be not only a strategic step-up in my karaoke pedigree, but it would also assuage the spiritual anomie that is apparent only when one is without a metaphorical, Ju-hachi-banical abode. PR not only provides the sentimentality that WTTJ lacked (well, that’s up to the singer’s interpretation I suppose), but it fulfills the very primal urge to yell. When Prince confesses that honey, I know, I know times are changing, I can reach the vocal heights that I did during the KYAAAAAAA part in WTTJ, but I can easily return to a very sweet and vocally economic refrain. Perhaps you, like I once was, are skeptical about the length of the song, namely that rather long and billowing guitar solo at the end (and we all know that songs with extended guitar solos are, by definition, not appropriate ju-hachi-bans, save Metallica’s “One”) . The beauty of karaoke, though, is that they have customized the song to slide under the five-minute mark (the original being well-over seven minutes) by completely removing the solo. This shortening also allows me to get the maximum caloric benefit from the song, as the machines at Karaoke All give you a score at the end of each song based on how many Kcals you burned during your musical interpretation. Thus, this system of scoring has become a valid criterion among me and my companions to empirically evaluate the quality of each member’s performances. I am confident that with one rendition of PR I can burn, on the average, 11 Kcals (more, I dare say, than the measly nine burned with WTTJ). I attribute this two calorie surplus, as well as the adoption of an entirely new ju-hachi-banical perspective on life, to a simple, omnipresent Prince lyric:

“It’s time we all reach out for something new…and that means you, too.”

Quick But Noteworthy Parentheticals to "Enlightenment and My Progress (Or Lack Thereof)"

I have come to the calculated conclusion that, mathematically, Mr. Snoogles is wierd to the nth degree. His strangeness knows no bounds.

After a minor allergy attack this morning, Mr. Snoogles kindly informed me that the way I pronounce my sneeze is uniformly American. He postulated that the HA-chooing is, to wit, a Western Thing. I asked him, in turn, what the correct pronunciation of a Japanese sneeze might sound like, to which he replied:

"HAKKKUUUUUSHOOOOOYAAAAAA!"

In other recent news, Mr. Snoogles, commenting on the endearing, youthful qualities of the recently admitted freshman girls, announced:

"They are cute, like little pussies!"

It took the International Exchange Center staff a second to realize that his similie's comparative antecedent was meant to invoke an image of small playful kittens, NOT a collection of vaginas.

He is now performing karate chops over the (rather unruly) copy machine.

Wednesday, April 05, 2006

You...Look...Maaavvvelouss!

To look good is to feel good, seems to be the slogan of choice at the university where I work in Japan. Today marked the Opening Ceremony for this years’ incoming freshman, and the event was nothing short an outrageous display of posturing. Being an employee of the university I am expected to partake in the rather maudlin welcoming of the year’s new students and their parents, and altogether it was a fruitful learning experience.

My job today was to escort parents to their seats while they watched the president and other high-up representatives give speeches of academic encouragement to the young trembling neophytes. Of course, the parents were forced to sit in a different auditorium and watch their offspring on a giant screen, but I can imagine that electronic gamma rays of pride and nurture hovered from one hall to the next, hence the trembling.

Watching all the young newbies looking so nervous and insecure, wearing suits and skirts that their parents forced them to buy in preparation for this day, lead me to reflect on my own Opening Ceremony at my university nearly 8 years ago...or at least what I remember of it. The details are hazy at best, but I'm fairly certain that beer and the men's soccer team were involved and I'm also fairly confident I introduced myself to all members of my dormitory in a drunken stupor later that evening. But, what I am absolutely positive about was the thin stripe of hair left on my scalp post head-shaving that the aforementioned (and rather ritualistic) men’s soccer team insisted was the hip new style for that years’incoming class of freshman. Although, for the record, the other freshman on the soccer team and I soon discovered that Mohawks allegedly skipped that year at my school.

As embarrassing as it was to go through my first day of university classes looking like a member of "The Clash," these Japanese students, however, got it much much worse—they had to slug through a day of Japan’s Swamp O’ Posture. The Swamp O’ Posture, although murky and situational, is basically a slew of words and image-up techniques that conspire to misdirect an event or expression’s actual meaning in favor of decorating it with blatant and ceremonial formality. Fortunately, I was able to contribute to this bog of farce through my escort job, where I very intentionally, formally, and professionally told people where to park their rumps. I fear I was less enthusiastic than my other team-mates (yes, I actually was put in a team of five for this job), as my co-workers were constantly walking up and down the aisles, stacking and unstacking things, arranging, then re-arranging, and finally supra-arranging anything they could get their hands on. I chose to remain by the door to smile and congratulate the parents on their son or daughter’s entry into the university, though I wonder if the tense looks on their faces were put there by the realization that a fleet of tuition bills would soon be gracing their mailboxes for the next four years. This heavy thinking must have tired them out for I can confidently resport that at least 75% of the parents used the ceremony as a nice chance for a little mid-morning snooze.

If anything, though, the event was a chance to put my limited knowledge of formal Japanese to work. There is actually a name for such language—it’s called keigo—though it’s usually too mind-crunching for me to use on a regular basis. I typically start out using it when talking to a superior, then inevitably slide into casual-lingo when it becomes too cumbersome (which I've noticed is at about the 30 second mark).

An example of keigo and its uses: in English, to say “Please have a seat near the front of the auditorium,” is by no means rude, and it may even be a bit on the polite side as it is less-course than “Sit down in front,” which still conveys the intended meaning . In Japanese, however, if I used keigo to express this request (and I did), it might roughly be translated (and it was) like this:

“Dear, sir/madam: we believe it would be to the behooval of all parties involved if we were to receive your kind consideration in the selection of a seat— of your choice, of course—near the front of the amphitheater in which we now, and will for approximately the following one and one-half hours, reside.”

Needless to say, a morning spent saying this to an influx of parents tired me out pretty quick, and I soon digressed to: “Anywhere is great!” Most folks streaming in tended to regard me—the only foreigner in the auditorium—with a deliberate ignorance. Some of them even gave me the “Ultra-Violet Ray Double Take.” I am quite familiar with general head-jerking, as unintentionally attracting attention because of my fish-out-of-water-ness has become somewhat of a forte, if not a job description. The Ultra-Violet Ray Double Take goes like this:

1.) They casually look at me and glance away, as they would with anyone.

2.) Then, after they realize that not only am I a foreigner, but a foreigner who is university staff and wearing a suit, they double-take right back at me in a sort of what the? jerking motion.

3.) Lastly, noticing that we are making eye-contact, they quickly avert their eyes to the ground, feigning that the interaction never even took place. I think it’s because I exude radioactive waves or something, because what they seem to fear most at this point is offering any kind of facial movement that would lead to the meeting of our eyes again.

Thus, with their heads down, they walk past me in such a way that suggests they are aware of my presence, but are afraid that any further expression of acknowledgement would, perhaps, provoke me or cause me to fire off more radioactive lightning bolts.

Or maybe they are just shy. Or forgot their sunglasses.

At any rate, I enjoy poking light fun at the whole attention-to-appearance obsession in Japan, and am aware that America, in its own way, has the same preoccupation. Everyone does to some degree, I think. But, it was to my ultimate delight that while the ceremony was coming to a close, my university’s hip-hop dance club held an informal congregation outside of the auditorium whose inhabitants were the very people for whom my university’s high-uppers had laid out the red carpet. Evidently, the large windows in front of the theatre provide the hip-hoppers with what function as giant-mirrors, thereby allowing them to visually evaluate their grinds. Imagine, if you will, the expression on the parents’faces as they exited the building to find 30 or so G-funky university students clad in sideways baseball caps and sagging camouflage pants bobbing to beats and sliding their heads back and forth on top of their collar-bones on the VERY day dedicated to their sons and daughters formal commencement onto higher education.

To be honest, though, I had a difficult time deciding which was more amusing: the parents’ conservative, what-is-happening-to-our-country looks of disapproval, OR the dance clubs’ God-we-look-so-fucking-cool expressions of satisfaction at the reflection of their bodies slithering, bouncing, and gyrating dopely in the windows.

I’d even go as far as to call the whole scene ironic...that is to say, if such a thing as irony existed in Japan.